Sienna looked radiant under the gallery lights. She was wearing her best designer suit, the one she saved for closing multi-million dollar estates. She was mid-sentence, talking to the journalist from City Life Magazine, when I walked in.
"...and I told Ethan, 'Honey, the grain needs to flow like water.' I really wanted the piece to evoke the stability of our relationship," she cooed, her hand grazing the glass case.
The journalist, a young woman named Maya, was nodding, scribbling notes. "It’s rare to find a couple that collaborates so deeply on fine art. Ethan, you must be so proud of your muse."
I stood there for a second, just taking in the sheer audacity of it. Sienna turned, her smile faltering for only a fraction of a second when she saw me. She moved toward me, attempting to loop her arm through mine for the camera.
"There he is! The hands that brought my vision to life," she chirped.
I gently but firmly uncoupled her arm from mine. I looked directly at Maya. "I’m sorry, but there’s been a massive misunderstanding. Sienna had nothing to do with the design, the wood selection, or the execution of this piece. In fact, until three days ago, her only contribution was calling it 'homemade trash' and throwing it into a bin full of coffee grounds."
The silence that followed was deafening. Maya’s pen stopped. Patricia, standing in the background, crossed her arms, a look of grim satisfaction on her face.
Sienna’s face went from pale to a blotchy, angry red. "Ethan! Don't be so modest. We're just having a little tiff, Maya, pay him no mind. He gets so sensitive about his process—"
"I’m not sensitive, Sienna. I’m honest," I said. I pulled out my phone and connected it to the gallery’s Bluetooth speaker system. "I keep a security camera in my workshop to record my process for insurance and time-lapse videos. And I keep a voice memo app on my phone for recording project ideas. Sometimes, I forget to turn it off."
I pressed play.
The audio wasn't high-def, but it was clear. The sound of a chair scraping. Then, Sienna’s voice, sharp and nasal: "I don't want homemade trash, Ethan... I literally threw it in the garbage."
Then, the sound of her on the phone with Chloe: "He actually gave me a wooden box... God, it’s so embarrassing."
Maya looked at Sienna, then at her notebook, then back at Sienna. The "muse" was currently hyperventilating.
"I think we’re done here," Maya said, closing her book with a snap. "I was told this was a story about an artisan’s breakthrough. I didn't realize I was being used for a PR stunt in a domestic dispute."
As Maya walked out, Sienna turned on me, her voice a low, venomous hiss. "You just ruined everything! That feature would have put your name on the map! My clients would have bought everything you made! I was trying to help you, you ungrateful prick!"
"You were trying to help yourself, Sienna. You realized the 'trash' had a price tag, so you tried to buy a seat at the table. But the table is mine. I built it."
Patricia stepped forward. "Sienna, I’m going to have to ask you to leave. You are no longer welcome in this gallery. And if you attempt to claim 'consultation' on any of Ethan’s work again, my lawyers will be in touch regarding defamation and fraud."
Sienna snatched her purse and stormed out, her heels clicking like gunfire on the hardwood floor.
The next week was a whirlwind. The box sold—not for $10,000, but for $12,000, after a small bidding war broke out between two collectors who had seen the "commotion" at the gallery. After Patricia’s commission, I had $6,000 in my pocket. I paid off the remaining balance on my truck and bought a high-end Laguna lathe I’d been dreaming of for years.
Sienna didn't give up easily. She tried the "sympathy" route next. She moved out—or rather, I told her the lease, which was in my name, was being terminated. She went to stay with Tara. Suddenly, my social media was flooded with posts from her: “Sometimes people change when they get a little bit of money. It’s sad to see a three-year bond broken by greed. #Heartbroken #MovingOn.”
Her friends started a campaign of harassment. I was called a "clout-chaser," a "liar," and worse. Sienna even had the nerve to send me a "bill" for $5,000 for "emotional labor and marketing services" she claimed she provided during our relationship.
I responded by sending her a photo of the "trash" bin she’d thrown my heart into, with a single caption: “Invoice denied. Check the garbage for your refund.”
I thought that would be the end of it. I thought I could finally just disappear into my wood shavings and find peace. But a month later, I received an email from a man named Richard, a venture capitalist from San Francisco. He had bought the box.
He wanted to meet. He didn't just want another box. He had a proposition that would either make my career or destroy my newfound peace. And as I sat in my studio, preparing for the meeting, I saw Sienna’s car pull up outside.
She looked different. She looked desperate. And she wasn't alone...